The rise and fall of what Becker called 'An Owsley-esque figure, an outlaw acid kid of the 60s.' And in a groove that bubbles like a Bunsen-fired beaker, that rare falsetto flip from Fagen and a slalom guitar solo from Karry Carltin and you've got one for the ages.' Perhaps. I can appreciate this but I don't like it much. This is too muso for my personal tastes. The constant noodly solo-ing did my head in after almost five minutes.
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