Adam & The Ants pick me up early evening.
Thursday, April 30, 2020
A funny month for me personally. I've been listening to old music mostly, and taken my mind off the new. I think it's probably been a quite month for new stuff generally, with a few notable exceptions, particularly the first five listed here.
Wednesday, April 29, 2020
Owen Pallett is not an artist that I was familiar with until a couple of days ago. Classically trained and known for his work with bands like Arcade Fire, Hidden Cameras and Beirut, he's also produced a number of solo albums. 2010's Heartland is probably as good a place to start as any.
It's a fascinating record and probably one that would reward further listens. Lush, orchestral and baroque, (and probably deeply indebted to Pet Sounds), it has a set of trembling, autumnal melodies that take the most interesting twistas and turns imaginable. I recommend it highly.
Tuesday, April 28, 2020
A year of these now. Second Lou Reed song of the day. You can never have too many. Nice to hear this coming out of the radio. Particularly as it is about hearing a song on the radio.
Monday, April 27, 2020
I've taken my eyes off recent releases on here over the last couple of weeks on here. There hasn't been much new that's grabbed my attention of late, surely nothing to do with the lockdown scenario we find oureslves in I imagine. Merely that nothing has come out that has particulkarly grabbed my attention. Possibly with the exception of the new Strokes record, which I did write about when it came out a couple of weeks ago.
I almost gave up on For Their Love, the new album from Oklahama's Other Lives, which came out last Friday. The first couple of tracks did little for me. Reminded me too much, and not in a good way, of The National and Radiohead without the accompanying inspiration, with a front vocal on top that brought to mind Alex Turner, not personally my favourite sound of recent years, good as that band, and that man, are.
On third track Cops though, the record begins to kick in and gather momentum. The reminders of others are there still and Arcade Fire also raise their heads at points, but the songs get better and the band begin to carve out an greater identity and space for themselves, which they maintain to the end of the album.
Fourth track, All Eyes - For Their Love, is better than that, and is probably one of the best things I've heard this year. Setting off with a rather beautiful orchestral sweep that reminded me of Tindersticks particular knack for these kind of things. Then when it changes direction as the vocals come in it goes to another plateau altogether. Baroque, melancholy and quite serene and really rather beautiful.
The record maintains this pace from this point on without really achieving similar peaks. It's by no means a classic. But it is worth a listen and there are probably a few tracks here which you'll want to take away and return to later.
Sunday, April 26, 2020
Tim Burgess: Vinyl Adventures From Istanbul to San Francisco: # 15 Royal Trux - Thank You - Recommended by Laurn Laverne
Another post for Hamilton Bohannon who has passed. Any snobbishness about the merits of Disco, a genre where he was very prominent towards the end of the Seventies, should be utterly ignored. He was an important operator. As Tom Tom Club so eloquently put it:
'Bohannon, Bohannon, Bohannon, Bohannon.'
Saturday, April 25, 2020
There are some things I never imagined myself doing. Posting a Rush song as a Song of the Day. But this blog is a journey like so many things in life so I'm doing so now without second thoughts. I think I decided at the age of about fourteen that certain kinds of music were not for me and this band is a representation of that kind of music. But the Facebook site Temporary Fandoms which I've mentioned a number of times on here has become an increasingly important part of my life and weekly routine. Basically the premise is simple. They post an album and people listen to it and share their thoughts on it.
Yesterday, one of the records focused on was Permanent Waves by Rush. I'll confess I approached it with a certain amount of dread. But it surprised me. Here's what I wrote:
' OK quite liked that to my surprise. I don't really go for the twiddly guitar moments but there's obviously some songwriting skill. The records I'd compare it to would be Modern Dance, Marquee Moon and Entertainment which are my own guitar favourites from that era. It certainly won't replace them in my affection. I'm too long in the tooth now, but I can see why some people would like this record so much. It reminded me a bit of Gabriel's Genesis which I do like a lot. Will give it another listen later in the day.'
Friday, April 24, 2020
Thursday, April 23, 2020
Sounded fine and apt given that the weather outside my window is pretty good at the moment. Shame we're not really supposed to go out in it.
Rather odd end to Side One with this one. But it does give a nod to the important contribution to Punk from Pub Rock. Also to the importance of The Small Faces to many of the bands involved. This particular cover is pretty awful mind.
Rather lovely and immediate this one. Coasting, the debut album by Honey Cutt, (Hayley Honeycutt) came to my ears yesterday morning and I was pretty much instantly taken. Finding the softspot between Alvvays and The Sundays, it's not really an original record per se but it is a rather lovely one.
Honey Cutt are actually a band, rather than a moniker for Honeycutt alone. A trio based in Boston. Nevertheless, it's she who graces the album sleeve of Coasting and she's clearly the one powering this project forward. Altogether a lovely start and one recommended for fans of this jangly ethereal stuff.
This may make you feel eighteen again, even if these days are long gone. Music can do that.The songs here have the great twists of the artists above. If Honey Cutt perhaps need to carve out territory that's more obviously their own from here, this is more than enough of now and I'm really quite taken.
Wednesday, April 22, 2020
Tim Burgess: Vinyl Adventures From Istanbul to San Francisco: # 11 Guided By Voices - Bee Thousand - Recommended by Paddy Considine
The wonderful Guided by Voices. Chosen by the wonderful Paddy Considine. A nice 'wake up' record this one. He's right about the value of the record. It's one I'll return to. Often. If you don't like one, you'll surely like the next. Plangent. Yearning. Fabulous record!
Tuesday, April 21, 2020
Lockdown is doing funny things to my body clock. Up for an hour already listening to The Stranglers Black & White album for Temporary Fandoms, of which, more later i. In the meantime, here's what they're playing on Breakfast Radio.
Sounds slightly incongruous on this record. An almost forgotten track and band otherwise I'd imagine. Melbourne band with more than a touch of Suzie Quatro about them here.
Tim Burgess, (in addition to being subject to a long running series on here), seems to have upped his profile during this lockdown, with his Twitter listening parties which have deservedly grabbed plenty of attention. Here's his latest song, ahead of a new album, which is on heavy rotation at the minute on BBC 6 Music these days. It's also akltogether a rather lovely song.
Monday, April 20, 2020
Sunday, April 19, 2020
I saw this lot while at university with a good music friend of mine. The attendance was shocking but the band were just great. Something of a Gallic Dexys.
Rather groovy but distinctly Proggy new stuff from Gothernberg's Hollow Ship. Their new record Future Remains came out at the end of February. 'Reality is our game,' they sing on second track We Came Too Late. Not entirely sure about that, their reality seems entirely mired in 1973 but this is quite a diverting, if loopy record.
Had to skip some tracks when they got lost in instrumental noodling but here are three that caught my fancy. Investigate further if these take your fancy. Slightly ludicrous but worth a listen if time travelling is your thing.
Saturday, April 18, 2020
Tim Burgess: Vinyl Adventures From Istanbul to San Francisco: # 7 Nico - Chelsea Girl - Recommended by Boy George
Friday, April 17, 2020
And to move from Hawkwind to Dead Boys. This was their best song. Not coincidentally I'm sure, partly because it was co-written by Pere Ubu's David Thomas.
Tim Burgess: Vinyl Adventures From Istanbul to San Francisco: # 6 Hawkwind - In Search Of Space - Recommended by Stephen Morris
Thursday, April 16, 2020
Time for another series, (short one this time), to help me get through lockdown. This is one of the great compilations for a number of reasons. Firstly, it came out in the relatively early stages of the full flowering of Punk bringing a lot of the great nbnads nad artists on here to the broader attention of an audience beyond the pioneering clubs of New York, London, Sydney and Melbourne.
Secondly, because it made a number of classic but rare tracks to greater notice. There are some odd choices on here but what is essential is absolutely essential. With a classic cover shot by Peter Kodick this is one all record collections should have.
It first came to my attention when I borrowed a copy from the university library. Record libraries. Remember those! I've since bpought a copy of my own. It starts as it intends to go on.