Tuesday, December 31, 2024

Album of the Year - All Lists

 


As the clock tovcks down to 2024 here is the list of lists a hastily calculated combination of the Top Twentys from Mojo, Uncut, Guardian , Best Ever Album and my own. As in many cases Beth Gibbons Rules !

  1. Beth Gibbons - Lives Outgrown
  2. Charli XCX - BRAT
  3. The Smile - Wall Of Eyes
  4. MJ Lendemann - Manning Fireworks
  5. Nick Cave & The Bad Seeds - Wid God
  6. Gillian Welch & David Rawlings - Woodland
  7. Arooj Aftab - Night Reign
  8. Adrianne Lenker - Bright Future
  9. Tyler The Creator - KROMAKOPIA 
  10. Beyonce - COWBOY CARTER

500 Greatest Albums of the 1980s ... Ranked! # 144 The Mekons - Fear & Whiskey

 


Accordig to Lester Bangs' the most revoutionary band in the history of Rock & Roll.' Deeply revered by slightly OTT types who get highly emotional at the drop of a hat in backroomd of real ale establishments..A bit too pleased with themselves for my tastes. 




Coming Up in 2025 !

 


There's no way that a list will give you any idea of what a year will be like. But here is a list of records I'm looking forward to in 2025.Mostly in the first few months. 

  1. Joanna Newsom
  2. The Loft
  3. Ringo Starr !?!
  4. The Weather Station
  5. Benjamin Booker
  6. Bonnie 'Prince' Billy
  7. Rats on Rafts
  8. Guided By Voices
  9. Sharon Van Etten & The Attachment Theory
  10. Horsegirl
  11. Richard Dawson
  12. The Murder Capital
  13. Greentea Peng
  14. Lana Del Ray
  15. Ben Kweller
  16. Car Sea Headrest
  17. Sparks
  18. Edith Frost
  19. Lady Gaga
  20. Lorde
Oh and mostly things I don't know about yet. 

Best Ever Albums - 2,000 - 1,001 - 1,705 The Who - Who By Numbers

 


The Who in 1975. A lot of water and living under the bridge. Punk on the horizon. Only the band's seventh studio album. Pete Townshend turned 30 during the recording of the album and wondered whether he was too old to play Rock & Roll which ironic in retrospect. 

In his words: ' (the songs) were written with me stoned out of my brain in the living room, crying my eyes out ... detached from my own work and from the whole project ... I felt empty.'

The recording of the album had a long gestation and  was disrupted by numerous breakdowns for various reasons largely probably fuelled by substance abuse. It's meat and potatoes and poetry and power chords in the way the best Who records are. You can smell the sweat under its armpits for better or worse. That's what they are. It's not always for the tender hearted.. It couldn't be anyone else.Inimitable.   




It Starts With a Birthstone - Review of 2024

 


'It was twenty years ago today. Sergeant Pepper taught the band to play....'

2024 has been an almost unprecedented year for me. I've broken free. After fifteen years of striving at the desk and in the classroom and meeting rooms of a ghastly, corporate, inert organisation that liked to consider itself cutting edge and ahead of the pack. But actually lagged behind in every real respect.projecting values which were actually almost feudal in their antiquity, archaism and ignorance. Never mind the sheer hostility and directionless aggression exhibited on a daily basis by management and 'colleagues' to one another and frequently to clients. I was glad to get out. Let's put it that way. . 

I've broken free over the last twelve months. Working from my flat in Newcastle largely and developing possibilities of life as a digital nomad, it's been an exciting though admittedly also a slightly scary new frontier for me as I approach my sixties.

I've kept writing on It Starts every day. It's important to me to do so. Regardless of where I am or what's going on in my life. It's good to have a journal to organise your life and thoughts by and music is as good a guiding fulcrum for the experience of life as I recognise. 

It's been a wonderful time for me.  I've reconnected wuth fundamental emotions and people in my life. Gone to school reunions, swum in the Meditteranean and am starting to harbour thoughts of the Aegean in 2025 and exploring Europe again. There are creeping prospects of mortality all around me but I think fundamentally it's important to be positive if you can and music invariably offers that staff. 

Life, whatever else it is, it's not dull. Existence in the 2020's if you're priviledged, and I still consider myself immensly priviledged, offers intense and incredible vistas of opportunity. So much cerebral emotional and mental experience can be harvested in the course of a single day. When The Beatles recorded Sgt Pepper, 'twenty years ago' seemed like a long time back. Twenty years ago from 2024 we were still wearing the same kind of clothing as we are now which wasn't the case in 1967. But in virtually every other respect we've fast forwarded into the future without fully realising it. Certainly much more than from 1967 to 1997.Yes I know that's 30 years for those who are pedantically inclined.

Musically it's been some year. I've expanded my countown of favourite albums to 200 this time tound. That could easily have been 300 and the countdown begun at the end of February. I'm not going to go there but it's an indication of how much fantastic stuff there is around to listen to if you care to look.

Kamsai Washington's Fearless Movement and Cindy Lee's  Diamond Jubilee, (which I only discovered in recent days, thanks to the prompting of a friend), seem most to encapsulate the limitless vistas and frontiers of experience of music particularly in these strange new days.They're both nostalgia fests in many respects while also maintaining the sharp edge of the new  In the words of Under The Radar which have just published their own review of the year. 'In 2024 mainstream culture is stuck in a nostalgia trip and has been for several years.' So much is immediately accessible through Spotify and YouTube and elsewhere that it can be slightly bewildering. But it's certainly thrilling. Onward and upwards. Back to the future !

Song(s) of the Day # 3,959 Cindy Lee

 The one that got away. There's always at least one and this year for It Starts  it seems it's set to be Cindy Lee's magnificent and uncontainable Diamond Jubilee, which a friend has been telling me about the wonder of. But I only recently tracked this down and began listening to it a few days back. Now I've found I can't stop

Cindy Lee are a band I've discovered..Or at leasr a persona or collective.  Not some New Pop siren of the sort oldies like myself have shied away from because they've given up trying to keep up. Anyhow I've always got Madonna if I want that malarkey. But it's nothing to do with that, it's a grouping  that certainly sounds like a genuine band or at least the idea of one. The songwriting vehicle for Canadian Patrick Flegel who used to be in Women. That's a band in the more traditional sense BTW, for clarity's sake. 

Diamond Jubilee is a formidable proposition. It's over two hourse long for god's sake, if you've got two hours to kill, and the package will cost you getting on to 75 quid if you want a vinyl version. Yes precisely. Yikes. I won't be buying it I'm afraid. Much as I love it. 

But it's certainly a marvellous sounding album and I'm not surprised that it's ranked so highly on so many end of year lists this year including getting the Number One slot from the consistently insufferable Pitchfork.They're so full of themselves those guys. They also gave the record the highest mark they'd given any record for four years. Attention seekers. Narcissicists.

Don't blame Cindy Lee though for those who leap onto their bandwagon because this is a magnificent Rock & Roll listen of the type I'd imagine the great  Nick Cohn himself would doff his cap at if he still pays attention to this kind of stuff. Nick Kent too. David Lynch

In a great Rock & Roll tradition, there's a cross dressing alter ego narrative going on here. Hey, it's almost 2025, and that's what Bowie and Eno got up to way back when and what they'd be doing again if they were coming up now..It's got all the thrilling panache of their best Zeitgeist records. A sense of what's gone on and what to do with it to take it where it needs to go next. 

All two hours of it bleeds the doomed romance, menace and dark glamour of the early Sixties and the first couple of seasons of Mad Men. Dirty Dancing. Make yourself a list. Brill Building Spector Sound, Eddie Cochran, Gene Vincent, The Ronettes, The Four Seasons, The Shangri Las, Del Shannon. The Wandererers OST. But much more than that too. This is a hughly contemporary record as well as one that wallows in the remote but immediate glamour of a particular bygone golden era.

That modernity is in the packaging and the sales pitch. This is not on Spotify. Or any other streaming service, Best listened to on YouTube in its enrirety. Frankly it's Lo Fi Wizadry with widescreen immediacy deeply retro impulses and curring edge instincts and it's quite gorgeousand mindbowing in every respect. I'll be listening to this way into 2025. At least. Respect !  


Monday, December 30, 2024

500 Greatest Albums of the 1980s ... Ranked! # 144 John Foxx - Metamatic

 


Umderpants !




Best Ever Albums - 2,000 - 1,001 - 1,706 Coldplay - Ghost Stories

 


Try to listen to Coldplay's Ghost Stories. I dare you. I tried to a couple of times yesterday. I didn't get far. I kept drifting off and then juddering to my senses overcome by an urge to switch over to something else. In some respects it's utter devotion to blandness and inactivity is almost commendable. In some ways quite the opposite.




Song(s) of the Day # 3,958 Low Harness

 


I do like a tasty and nutritious old fashioned slice of ennui and dystopian independent dread.The kind of record that John Peel might have enjoyed and featured on his show backi n 1980 or 1981 when I was just a lad. Yeah. In days of yore.

Low Harness hail from Falmouth in the West Country and Rock a similar sound to New Wave bands like The Passions and The White Lines. Their latest album is Salvo and this comes across as almost onomatopoeic as the album sounds like a skirmish in a larger bloody battle but a finely described and detailed one. 


Back at the end of the Seventies and the begnning of the Eighties the dread in the sound of alternative guitar bands was mostly generated by the fear of impending nuclear warfare. The Cold War was still raging. Nowadays the war, the adversary is less specific, The imminent threat  less clearly identified. But the sentiment and the fear is as relevant and appealing as ever. This is an excellent record. Low Harness are a splendid and powerful band. 

The  emotions and sentiments explored on Salvo do not date. Check out the continuing relevance and popularity of The Cure and Joy Division, Not to mention Graham Greene. Or William Blake. The world remains a hostile and frightening place only enhanced by digital advances despite their manifest joys and opportunitues the emotional terror endures.

Perhaps we'll always take solace in bleak but crafted Romanticism just as readers of the Bronte sisters and Wordsworth did back in Vuctorian days. Some modes of expression and creativity maintain their poignancy and scope. Things certainly  do here.  Thanks to Darren Jones once more for bringing this to my attention. Fab Starbuck. Fill your boots at the grog barrel bonnie lad !

Sunday, December 29, 2024

Best Ever Albums - 2,000 - 1,001 - 1,707 Suzanne Vega - Solitude Standing

 


Stzanne Vega remains a particular elfin yet vigorous talent. A shirt story writer or a novelist in a different era who chose to be a rather magical singer songwriter instead. Quintessential New York !




 



500 Greatest Albums of the 1980s ... Ranked! # 145 Cardiacs - A Little Man & a House & The Whole Wide World

 


Vardiacs are a particularly English visions. Of whimsy, eccentricity, melody and occasional rage.. Given a choice I'd opt for Ray Davies, Syd Barrett, Robyn Hitchcock or Andy Partridge in preference. This favours dementia to whimsy too often for my tastes.





It Starts With a Birthstone - Albums of the Year 2023

 




  1. Lankum - False Lankum 
  2. John Cale - Mercy
  3. Craven Faults - Standers.
  4. Paul Simon - Seven Psalms
  5. Yo La Tengo - This Stupid Year
  6. Paper Bee - Thaw, Freeze, Thaw
  7. Blur - The Ballad of Darren
  8.  Lil Yachty - Let's Start Here
  9. Lisa O'Neill - All Of This Is Chance
  10. Sufjan Stevens - Javelin
  11. The Finks - Birthdays at Solo Pasta
  12. En Attendant Ana - Principia
  13. Feist -  Multitudes
  14. Joanna Sternberg - I've Got Me
  15. PJ Harvey - Inside The Old Year Dying
  16. Baxter Dury - I Thought I Was Better Than You
  17. Meg Baird - Furling
  18. Loney Holley - Oh Me Oh My
  19. Protomartyr - Formal Growth in the Desert
  20. Index For Working Musik - Dragging the Needlework for the Kids at Uphole
  21. The WAEVE - The WAEVE 
  22. Robert Forster - The Candle & The Flame
  23. Ulrika Spacek - Compact Trauma
  24. Warrington- Runcorn New Town Development Plan - The Nation's Most Central Location
  25. Wilco - Cousin
  26. Califone - Villagers
  27. Wednesday - Rat Saw God
  28. Anohni & The Johnsons - My Back Was a Bridge For You To Cross
  29. Ora Cogan - Formless
  30.  Dignan Porch - Electric Threads
  31.  Lael Neale - Star Eaters Delight 
  32. Bonnie Prince Billy - Keeping Secrets Will Destroy Me
  33. Fog Lake - Midnight Society
  34. Radiator Hospital - Can't Make Any Promises
  35. Water From Your Eyes - Everyone's Crushed 
  36. Amy Mae Ellis - Over Ling & Bell
  37. U.S.Girls - Bless This Mess
  38. Sunny War - Anarchist Gospel
  39.  maya ongaku - Approach to Anima
  40.  The Murder Capital - Gigi's Recovery
  41. Mega Bog - End Of Everything
  42. Shirley Collins - Archangel Hill
  43. Isolated Gate - Universe in Reverse
  44. Kara Jackson - Why Does The World Give Us People To Love.
  45. Nabihah Iqbal - DREAMER
  46. Holiday Ghosts - Absolute Reality
  47. Modern Kosmology - What Will You Grow Now
  48. Alasdair Roberts - Grief in the Kitchen & Mirth in the Hall
  49. Being Dead - When Horses Would Run 
  50.  Tinariwen - Amatssou

It Starts With a Birthstone - Albums of the Year 2022

 


 
 Records I liked this year. By no means definitive. I only came up with a Number One that seemed right a few days ago, so was shuffling and changing right to the end, chucking out records that I loved along the way. I guess this describes my musical year fairly well though. I was a little bit 'Indie' for the most part in 2022. Perfectly happy with that. It also shows that female artists are generally the spine of my taste these days. There might be something in here you'd like to investigate further. Here's my favourite music related photo of me this year. That's me with Richard Dawson, a local hero where I live. I happened to bump into him in a quiet Saturday evening at my local in Newcastle and he was the most delightful of people. Giving a lot of his time incredibly generously and allowing me this fabulous photo too. Wonderful man. 

  1. Joan Shelley - The Spur
  2. Big Thief - Dragon New Mountain I Believe in You
  3. Naima Bock - Giant Palm
  4. The Smile - A Light For Attracting Attention
  5. Danger Mouse & Black Thought - Cheat Codes
  6. Aldous Harding - Warm Chris
  7. Bill Callahan - YTILAER
  8. Fortunato Durrutti Marinetti - Memory's Fool
  9. Horsegirl - Versions of Modern Performance
  10. Nilufer Yanya - PAINLESS
  11. Kikagaku Moyu - Kumoyu Island
  12. Santigold - Spirituals
  13. Weyes Blood - And in the Darkness, Hearts Aglow
  14. Kevin Morby - This is a Photograph
  15. Katy J Pearson - Sound of the Morning
  16. Say Sue Me - The Last Thing Left
  17. Gwenno - Tresor
  18. Wilco - Cruel Country
  19. Lady Wray - Piece of Me
  20. The Stroppies - Levity 
  21. Jake Xerxes Fussell - Good & Green Again
  22. Beach House - Once Twice Melody
  23. Green / Blue - Offering
  24. Michael Head & The Red Elastic Band - Dear Scott
  25. Hurray For The Riff Raff - LIFE ON EARTH 
  26. Belle & Sebastian - A Bit of Previous
  27. Sessa - Estrella Acesa
  28. Ezra Furman - All Of Us Flames
  29. Hannah Peel & Paraorchestra - The Unfolding
  30. Park Jiha - The Gleam
  31. Laura Jean - Amateurs
  32. Kiwi Jr. - Chopper
  33. Mattiel - Georgia Gothic
  34.  Dry Cleaning - Stumpwork
  35. String Machine - Halleujah Hell Yeah
  36. Smidley - Here Comes The Devil
  37. Jesca Hoop - Order of Romance
  38.  Elvis Costello & The Imposters - The Boy Named It
  39. Jonathan Personne - Jonathan Personne
  40. Silvana Estrada - Marchita
  41. Vinyl Williams - Cosmopolis
  42. Seapower - Everything Was Forever
  43. Aoife Nessa Frances - Protector 
  44. Erin Rae - Lighten Up
  45.  Father John Misty - Chloe & the Next 20th Century
  46. Young Guv - Guv IV
  47. C. Duncan - Alluvium
  48. Papercuts - Past Life Regression
  49. Daniel Rossen - You Belong Here
  50. Moor Mother - Jazz Codes

Song(s) of the Day # 3,957 Watch Paint Dry

 


Watch Paint Dry !?! It's generally not advisable. A metaphor for extreme wilful mental torture and directionless procrastination. Amplified boredom. But prepare yourself for a nice surprise. Because this isn't boring for a moment. In fact it's rather lovely.

An album called Horsebones that celebrates the simple things. Out of London. All simplicity DIY and kitchen sin space and reflection. Focusing on the joys of the simple stuff and the oblique joy of creation. This was very much to my liking yesrerdaym coming out of the cold of a grim Saturday afternoon of late December darkness. Now again as the sun climbs in misty skies. It's a keeper in irs down to earth minimalism and modesty . 

More thanks to best friend of this blog Darren Jones as we make our way to 2025. Thanks Darren. This is a rather lovely and curious record all told.     

Saturday, December 28, 2024

Best Ever Albums - 2,000 - 1,001 - 1,708 Green Day - Insomniac

 


Insomniac ? !? This may not be what you're looking for.




500 Greatest Albums of the 1980s ... Ranked! # 146 Dead Kennedys - Fresh Fruit For Rotting Vegetables

 


There was a peculiar fascination with Dead Kennedeys and the noise they made when I was 13. at 59 without the help of alcohol I expected I could probably enjoy a couple of tracks. But againsst expectation, I kept listening. There's a message . Every song is anither ranted manifesto on Jello Biafra's shopping list. It's confronting extreme government surveillance and controlling approach with an exqually intense response .The tunes are fun. There's something quite thrilling about it still. Cartoon-ish mind.








It Starts With a Birthstone - Albums of the Year 2021

 




Now onwards into 2021.

This one feels like it's been a long, and very interesting year music wise. Here is a list of albums that I've gone for. I actually started way back in September at # 100, but here is the Top 50. From ones that I've loved to ones that I've liked. No attempt at academic distance and judgement. Just records that have bought me joy. The photo here is one of me, a long, long time ago:

1. Greentea Peng - Man Made

2. Little Simz - Sometimes I Might Be Introvert

3. Jane Weaver - Flock

4. Parquet Courts - Plant Life

5. The Weather Station - Ignorance

6.  St. Lennox - Ten Songs of Worship and Praise For These Tumultuous Times

7. Dark Tea - Dark Tea

8. Floating Points, Pharoah Sanders & The London Symphony Orchestra - Promises

9. Fievel Is Glauque - God's Trashmen Sent to Right The Mess

10.  Dean Wareham - I Have Nothing To say To The Mayor Of LA

11. Low - Hey What

12. Cool Ghouls - At George's Zoo

13. Goat Girl - On All Fours

14. Japanese Breakfast - Jubilee

15. Bendigo Fletcher - Fits of Laughter

16. Drug Store Romeos - The world within our bedrooms

17. Courtney Barnett - Things Take Time, Take Time

18. John Grant - Boy From Michigan

19. Astral Swans - Astral Swans

20. The Goon Sax - Mirror II

21. The God Fahim & Your Old Droog - The Wolf on Wall Street

22. Mdou Moctar - Afrique Victim

23. Lost Girls, Jenny Hval & Havard Volden - Menneskekollektivet

24. The Besnard Lakes - The Besnard Lakes are the Last of the Great Thunderstorm Warnings

25. Adrian Crowley - The Watchful Eye of The Stars

26. Tronco - Nainoia

27. Fog Lake - Tragedy Reel

28. TEKE::TEKE - Shirushi

29. Elephant Micah - Vague Tidings

30. James Yorkston & The Second Hand Orchestra - The Wide, Wide River

31. Cassandra Jenkins - An Overview of Phenomenal Nature

32. ABBA - Voyage

33. Vanishing Twin - Ooki Gekkou

34. Pye Corner Audio - The Spectral Corridor 

35. The Telephone Numbers - The Ballad of Doug

36. Hannah Peel - Fir Wave

37. El Michels Affair - Yeti Season

38. Black Twig - Was Not Looking For Magic

39. SPIRIT OF THE BEEHIVE - ENTERTAINMENT OF DEATH

40. The Killers - Pressure Machine

41. Orla Gartland - Women on The Internet

42. Dusted - III

43. Fruit Bats - The Pet Parade

44. Mega Bog - Life, And Another

45.  Valerie June - The Moon And Stars: Prescriptions For Dreamers

46. Floatie - Voyage Out

47. Saint Etienne - I've Been Trying To Tell You

48. Durand Jones & The Indications - Private Space

49. Albertine Sages - The Sticky Fingers

50. POSTDATA - Twin Flames

It Starts With a Birthstone - Albums of the Year 2020

 



 

At the end of a year that none of us have ever seen the like of, here's It Starts With a Birthstone's countdown of my favourite fifty albums of the year. I like my list not unnaturally. I think it's eclectic, varied and reflects a lot of the things I've enjoyed and listened to during 2020.


1. SAULT - Untitled (Rise)

2. Sufjan Stevens - Lamentations

3. Billy Nomates - Billy Nomates

4. CHOPCHOP - Everything Looks So Real

5. Shabaka & The Ancestors - We Are Sent Here By History

6. Cornershop - England Is a Garden

7. Protomartyr - Ultimate Success Today

8. Bananagun - The True Story of Bananagun

9. East Man - Prole Art Threat

10. Fontaines D.C. - A Heroes Death

11. The Mountain Goats - Getting Into Knives

12. Saint Savior - Tomorrow Again

13. Brona McVittie - The Man in the Mountain

14. Rufus Wainwright - Unfollow The Rules

15. Bo Ningen - Sudden Fictions

16. Fiona Apple - Fetch The Boltcutters

17. Lawn - Johnny

18. Nathalie Shah - Kitchen Sink

19. Arbor Labor Union - New Petal Instincts

20. Ora Cogan - Bells In The Ruins

21. Wire - Mind Hive

22. Isobel Campbell - There is no Other

23. The Homesick - The Big Exercise

24. Daniel Romano - How Ill Thy World is Ordered

25. Jeremy Tuplin - Violet Waves

26. Coriky - Coriky

27. Grimm Grimm - Ginormous

28. Kevin Krauter - Full Hand

29. I Break Horses - Warnings

30. Rolling Blackouts Coastal Fever - Sideways To New Italy

31. The Innocence Mission - See You Tomorrow

32. U.S. Girls - Heavy Light

33. Perfume Genius - Set My Heart On Fire Immediately

34. En Attendant Ana - Juillet

35. The Cool Greenhouse - The Cool Greenhouse

36. Latitude - Mystic Hotline

37. This Is The Kit- Off On On

38. Emma Kupa - It Will Come Easier

39. Drab City - Good Songs For Bad People

40. James Elkington - Ever-Roving Eye

41. No Age - Goons Be Gone

42. X - ALPHABETLAND

43. Aoife Nessa Frances - Land of No Junction

44. Jenny O. - New Truth

45. The Strokes - The New Abnormal

46. Kelly Lee Owens - Inner Song

47. Galore - Galore

48. Arbouretum - Let It All In

49. El Goodo - Zombie

50. Death Valley Girls - Under the Spell of Joy

Song(s) of the Day # 3,956 Pys Melyn

 


You can't beat a great Welsh Rock & Roll band.Badfinger, Gorky's Zygitic Mynci, Super Furry Animals, and now.... as 2024 draws to its close. Pys Melyn.

Sent my way by a recommendation in the pages of Mojo by Bill Ryder Jones. So cheers Bill. The band have been playing tgether for ten years. Having been chucked out of their first gig because they were underage. 'Fifteen with about three pieces of facial hair.'



Latest album Fel Effeolland finds them kicking into winding muttered guitar jams. As if the Velvet Underground had formed in Harlech. It's clear they're doing this primarily because they enjoy doing it. They'd probably sing in English is that was their primary driving urge. And they're all the better for not caving into the idea of doing so. 

Friday, December 27, 2024

En Attendant Ana & Being Dead at The Cumberland Arms

 


I awake. It's Whitsun Monday. A national holiday in Germany but not here. The fact that it's a national holiday in Germany means I have no online lessons  because the two I generally teach are cancelled. German people always seem to be either on holiday, about to embark on one or just back and beginning to dream about the next one. It's an enviable state of affairs. Perhaps other states could take note and make an investment in general happiness. It might just bear fruit for all concerned.

Nevertheless I'm up with the larks. The light always wakes me. We're enjoying an excellent spell of weather in Newcastle where I live. I get up. Listen to some of the records on ascending and descending lists which I document on here to keep me busy. Then I'm off to the gym shortly after eight.

I prefer to get to the gym early. I've found that if I turn up later I sometimes have to suffer loud mouths in the dressing room. Telling me of how much they care for the likes of Trump and Putin. I don't care for loud mouths. Particularly ones who turn the air blue to show off to one another or force their ignorant and laughable right wing opinions on people they share the dressing room with. I'm aware I'm getting old. I'm actually pleased I am. I don't care for Putin. Or Trump for that matter. I don't want to hear about them when I've only come to go to the sauna and plunge pool and to have a chat about amenable matters with others I know and don't know. 

I get a couple of good chats with good people this morning. A woman in the sauna who is in Newcaste to pick up her daughter from university and drive her back to Sussex. Chris the train driver who's here before his London run. A bearded tourist from Toronto in the changing room in a Beastie Boys t shirt who's on his way to Whutby this morning and onwards to the Yorkshire Moors. 

I was planning to go to a Record Fair at a hotel on the quayside at ten. When I get home I realise it's not until next Monday. My life is like this these days. I shrug. Something for me to do next week after my lessons. 


.

I have a funny morning. I'm in a funny space. A transition phase. Going to the fitness centre much more regularly than I used to. Pushing it hard in the sauna and the plunge pool. On top of that I pop quite a few pills these days. For diabetes and high blood pressure. I'm in my late fifties. I don't imagine I'm that unusual. But they make me drowsy. Today I try to have a nap midday because I think it will do me good. Then can't sleep because I've got too much in my mind.  

Anyway. Emily calls. As she's agreed to. Last time we met. Emily is my diabetes nurse.She's about thirty years younger than me  But frankly she's hot. I'm sure she wouldn't mind. Anyway we talk through the odd way my changes in medication, lifestyle and exrercise regime are affecting me. After a brief chat she advises me to stop taking the Dapagliflozin. After a rustle through my prescription bag I'm relieved to tell her I haven't been taking them anyway. OK. All's OK. She reminds me that I've got a blood test at the clinic on Wednesday to check my blood sugar levels. We say our goodbyes. 


 I decide to watch a bit of Dazed & Confused while I'm heating up a quiche. Dazed & Confused is one of my go to films. If you haven't seen it I think you should. It explores certain essential truths. Set on the last day of school at a High School in Texas in the mid Seventies it's a wonderful exploration of what makes us tick. How we need to conform to where we are within a social hierarchy How we find our place and discover what's important to us. How we generally find our way in life despite everything we're beset with. .

I kid myself that I'm just going to watch it until I've eaten my quiche but of course I watch the whole thing. You can't stop a film like Dazed & Confused in full flow. Show some respect. Then I'm off. Down the slope past the castle and down to the Quayside. A bottle of non alcoholic beer in the Crown Posada while I read a prize possession NME I've just bought from 1985. The first time Michael Stipe and R.E.M. made the cover in 1985. They were my band back then and I still think of them as my band. They're central to my life journey like no other. Like the first girl you fall in love with who really falls in love with you too.

Manc Mick is slumped at the bar in his cups. His beard is out of control. Needs a trim.  Every bar needs a wind up wastrel like Manc Mick proppping up its bar. I greet him as I buy my beer. Then say my farewells as I leave. You don't always have to sit down and talk to the likes of Manc Mick every time you see them. It won't be that long before you see them again.

I stroll down the Quayside. It's a glorious day. .The sun's in the heavens and it's hot but not oppressive. The best day of the year I'd say and highly promising in terms of suggesting a few months of plain sailing weather wise. Serene is a word which comes to mind.

I have a bottle of sweet cider in The Tyne and read my Mojo this time. The current issue with Paul Weller on the front looking like a slightly geriatric Mod Dracula. I'm one of those that prefers to stay inside even on sunny days when the Beer Gardens are awash with revellers. I'm a poseur I guess. Or a Velvet Underground fan. Whichever you prefer. 

Now I'm at the end of The Quayside. Up into the hills to see if Billy,Chris or Steph are in The Free Trade. They're not so I make my way down the shallow dale to the Ousebourne Valley and then up the stone, mossy stairwell to the doors of The Cumberland Arms.

This place is becoming my spiritual home. I'm here virtually once a week these days. To see a gig or on some other pretence. It's always a pleasure to get here.

Especially as the gig is kicking off. It's a Wandering Oak night, set up by Walter Allison who's pretty much Indie daddy and benefactor in Newcastle and its local vicinity. He's an events organiser. I have no idea whether there's an income or subsidy for this or he just sees it as a public service duty servicing the needs of the indie community like some Francis of Assisi type who happens to like Pavement. I'm just glad that he does what he does and my radar pricks up whenever I see an event he's setting up. They're good value for money and attract the friendliest crowds in Newcastle.

An Attendant Ana are sat at a table in the back room. I saw them play last year at the same venue on the night when Newcastle clobbered Paris Saint Germaine 4-1 in the Champions League. They were fabulous and it was a fabulous gig and night. So I'm back.

I approach their table and gabble my appreciation of them. I tend to gabble enthusiastically when I'm in the company of people I admire. I imagiine I would embarrass my young siter but what are older brothers there for except to embarrass their younger sisters.


Anyhow I tell them I think they're great. I like what they do and appreciate how they do it without being sure how it is that they do what they do. They beam at my happiness and praise and I don't bother them further. Upstairs the indie people are gathering. A substantial crowd 40 or 50 I'd say. without being a sell out gig.

I take my beer to a stool at the back of the room and sit through the first act. Sarah Johnsone. She''s a talented musician with a range of well written, emotive songs that don't enthuse me sufficiently to get on my feet and shake my wobbling bits.

The secind act Being Dead are quite a different matter. A whacky Austin Texan threepiece, their album from last year When Horses Would Run was the kind of record that would have Melody Maker journalists frothing at the mouth when I was just a lad. Back in the days when R.E.M. swept everything before them between 1983 and 1985 and brought no end of whacky rootin and tootin alternative and vaguely C&W independent bands in their wake. 

I'm talking Rank & File, Jason & The Scorchers, Camper Van Beethoven, Let's Active, Method Actors and the like. Being Dead appreciate their zany spirit and are here to reignite the flame. They play a brilliant, earthy, improvised and inspired set. They understand the thrill of B52s harmonised vocals and can do variations of them at the drop of a stetson. I go to the stage to offer them my appreciation at the end of their set. If they ever play near you, be there,. Or be content to be eternally square. 

I almost buy a t shirt after their set. But buying stuff is quite a complicated matter for us old folk these days so in the end don't bother. There's another short break in proceedings before the five members of En Attendant Ana gather and are out of their traps and up and running on stage.

I saw them just last year but I'm instantly enchanted again,. I don't generally go and see bands that I've seen recently except if we're talking Jazz Jam suspects but in An Attendant Ana's case as long as they continue putting out such singular product and playing such exceptional  sets, I'll carry on shelling out hard earned for the honour of seeing them. They're something else. 

They're brilliant. I'm a bit tired so spend a fair bit of time on my stool at my table. But just because I'm not pogoing and screaming my appreciation in poor CSE French doesn't mean I'm not enjoying myself as much as anybody else in the room.

It's magnifique. Pure and simple they take much of what always made Stereolab so enchanting and magical. Stir it up with everything you've always loved about leftfield Gallic Pop and you enjoyed about solving tricky maths equations at school and you've got En Attendant Ana. The girls are sweet and the guys are smart and they make the most melodic captivating sound. 

They seem to have lost the stocky guitar dynamo that I thought was a major part of their live appeal ast year but it doesn't seem to have made a bit of difference. They're still powering through the heats and looking fit for a medal when it comes to finals day.

They do a lovely French version of Something Stupid. The number that I always found slighty disconcerting growing up as it was a deeply sexy duet sung by father and daughter Frank and Nancy Sinatra. They throw a few new numbers into the set which auger well for the next album. They're cooking with gas and no mistake and I expect I'll keep blowing my blog trumpet for them as long as they keep being so wonderful.

They even make Walter Allison dance at one point. At least I think he was dancing. he certainly seemed happy. I'm not surprised, so was I. I made my way down the stairs and off into the night for my night bus. Happy as Louis. 

Eleven Years High & Rising - It Starts With a Birthstone - Albums of the Year 2016 - 2024

 


I started posting on It Starts With a Birthstone in 2013. Originally as a way of recording my memories, feelings and thoughts about favourite albums from the Eighties, the decade when I first started buying records. Over time this has mutated into something else that's easier to do and more organic. A prompt to encourage me to listen to and write about music that's largely being released now. Or as near to now as I can get..

 Over time the blog has begun to dictate it's own shape and character, A routine has established itself, This is the direction I will continue to take from now on. A song and record every day. Building day by week by month. Eventually to a rundown of my favourite albums of the year. as darkness falls at the end of each year.  All this supplemented by posts on books and compilations that have taken my fancy and anything else that catches my notice and interest and  that I hope might interest others.. No big deal but a nice thing to do and I'll continue in the same manner from here.. 

Three years in, from 2016 I started listing my favourite albums and songs of on an annual basis. Something else to focus me as winter approached. So that year I wrote my first annual list of favourite albums, topped with Bowie's final record and the most recent one Radiohead have released, accompanied in the Top Three by Regina Spector who I fell completely in love with for a few years.. 

Here are my top three records for each year since then. No artist has recorded two entries as of yet. Not deliberate on my part. Just the way it's gone. But something I'm quite pleased with. I try to be reasonably eclectic.

There are some pretty good records here. Perhaps I should give some of them another listen. But then the remit I've given myself here for the most point is to keep moving forward, and that for the most part is what I intend to do. Foot on the accelerator, into 2024....


2016

1. David Bowie - Blackstar

2. Radiohead - Heart-Shaped Pool

3. Regina Spector - Remember Us To Life


2017

1. Protomartyr - Relatives in Descent

2. Les Amazones D'Afrique - Republique Amazone 

3. The Feelies - In Between


2018

1. Janaelle Monae - Dirty Computer

2. The Good, The Bad & The Queen - Merrie Land

3. U.S. Girls - In a Poem Unlimited


2019

1. Bill Callahan - Shepherd in a Sheepskin Vest

2. Sarathy Korwar - More Arriving

3. Vanishing Twin - The Age of Immunity


2020

1, SAULT Untitled (Rise)

2. Sufjan Stevens - Lamentations

3. Billy Nomates - Billy Nomates


2021

1. Greentea Peng - Greentea Peng

2. Little Simz - Sometimes I Might be Introvert

3. Jane Weaver - Flock


2022 

1. Joan Shelley - The Spur

2. Big Thief - Dragon New Mountain I Believe in You

3. Naima Bock - Giant Palm


2023

1. Lankum - False Lankum

2. John Cale - Mercy

3. Craven Faults - Standers


2024 

1 Kamasi Washington - Fearless Movement

2 Mount Eerie - Night Palace

3 Kali Malone - All Life Long




Nadine Shah - Instore at Reflex Records

 


                              'You do it to yourself you do. And that's what really hurts.'

Earworms are one of life's most intriguing mysteries to me.How a riff or phrase or melody can attach itself with limpet like tenacity to the inside of your skull and play on a loop for days. For me it's been various songs from Radioheads remarkable The Bends record recently. Some set of songs. They're still proving incredibly durable. Songs of struggle. With mental insecurity. The ways of the world. Modern existence. Making your way forward in the face of a full fathom gale. It's almost thirty yeas old now. Everything has changed and nothing has. Life remains a struggle. That's what's so great about it,

When The Bends came out in 1995, I  was in Warsaw, Poland. A bold and gritty and slightly frightening frontier city, working for a Business Language School as an EFL teacher. Embarking on a doomed but always interesting romance with one of my teaching colleagues. I bought a copy of The Bends on casette from a bootleg cassette from one of the stalls on Marszalkowska. I played the album ragged. Twelve songs of durable grit, defiance and backbone that have stood the test of time rather better than some of its Brit Pop contemporaries. These songs reinvent themselves with the passing times and still have plenty to say. 

I'm setting off on a new chapter of working routine right now strangely. The final journey of a long and varied career as a teacher which is all I've done since I graduated in 1990. Now after fifteen years in a steady job which has paid off the best part of the mortgage on my flat in Newcastle, I'm ready for a new challenge and am going freelance.

Much of my teaching I'll do from now on will be from the comfort of my flat. Teaching online. Working initially strangely with the same organisation I worked with all those years ago in Poland. My first class with them is due on Monday morning. An online business class in Dussledorf. The wonders of modern science. I'm looking forward to it.

I wake and work on the blog. It's a major focus for me these days. Waking early every morning and working on four or five pieces on records I'm interested in. Then posting them at eight and going to the pool, or preparing an extended breakfast. Breakfast is the most important meal of my day these days.

The blog takes time and determination. People rarely respond to it but I enjoy the process and the reward is mostly in the records I discover or rediscover. I don't procrastinate. Write and post. Then try to come back and proofread later. It's a daily pursuit that I find quite pure. Some tend plant pots or put their energies into shopping and preparing meals. Watch football matches. Sink pints. This works for me.

I cook a proper fried breakfast listening to Mary Timony's fantastic Untame The Tiger which I'll post about tomorrow. Phone Dad and head to the pool at the Royal Station Hotel just by the station. More routine. I find I need and benefit from it. It's a brisk and bright day. 

Outside The Centurion Bar at the front of the station a small Hen Do is gathering. The lead participant and subject I assume, a pretty blond girl with high heels, shorts and a Learner sign tagged on her back. One of them has a Sex Doll tucked under her arm. Rituals and our unform expressions of determined individuality in rigid uniformity. Human beings are a funny lot. I don't exclude myself.

In the sauna I meet and chat with a couple of young guys. I like it when I get a good conversation out of my hour long circuit. There's a white lad who's done a year at a secondary school as a PE teacher in Kuwait. This gets us talking about the Islamic World and the daily call to prayer, the reason I felt I could never live and work in that part of the world. Respect to others religious beliefs and all that. I found it rather overbearing.

A young black guy guy is there too who I've met before here. We get talking. His name is Mercy and he's a fascinating fellow. One of the most respectful and unfailingly polite young people I've ever met. He's British, Angolan, Portuguese and makes his living as a full time model. The money is good but he knows it won't last forever and is plotting the next stage. He wants to invest in a property portfolio if he can. Secure his future. The future's uncertain and he realises it. It's nice to meet him again.

I return home, call mum and then watch a film. Faye Dunaway, Warren Beatty, Bonnie & Clyde. A classic. I watch it every couple of years. A landmark in cinema in many ways. Still stunning use of colour. Brilliant leads. Epitomes of male and female beauty. Stunning screenplay and bloody set pieces. The French New Wave arriving in Hollywood to banish Old Hollywood and the studio system once and for all.

It's ticking on to six and the sun is setting. It's time to prepare for my evening's entertainment. I've got a ticket to see Nadine Shah, playing at Reflex Records which is a five minute walk from me. So I put on her latest Filthy Underneath to set an appropriate atmospheric tone.

It's appropriately dramatic. I love Nadine and have enjoyed all of her recent records, going back to 2017's Holiday Destination. I've expressed my appreciation of them on here. She's a force of nature. A strong and artistic local hero, she's from South Shields. Just up the road. A thirty minute metro ride. She has that steel and sass and strength which is so admirable in women up here. Which makes me glad to be here. The people are canny and no mistake,

Filthy Underneath is another fine album to notch under her belt. It's dark, but she's no stranger to darkness, She has no fear of it and generally chooses it as her subject matter. She engages with reality. Global Warfare. The Marketplace. Multiculturalism. Gender and Identity Politics. Sexuality. It's not exploitative. She's engaged. A fighter. An artist. I think she's great.

Time to go to the instore. I arrive early. Collect the album that's part of the 30 quid ticket price and  decide to drop it back off home and then head back to the queue outside Reflex and watch the shenanigan's in Butler's across the road. I've never notced this bar before but it seems like a local with only one function. As a place for locals to get entirely mortal on a Saturday night and dance to trashy Pop Music played at unhealthy volume.It's diverting to watch for ten minutes until we're allowed in out of the drizzle.

Eventually we're let in. About 35 of us in all. Reflex have cleared the record racks and arranged a small stage area  with monitors and wires. Another short wait. All of the five guys who work in the shop are here. Partly because they're all needed I imagine but also I suppose they'd want to be present. It's an event. Nadine has just finished her first set. We're ready for the second. She's announced and she's down the stairs and on. In the company of two of her band. No messing around. They kick into their opener.

She has some presence. It needs saying immediately. She's the kind of woman who would turn heads wherever she went. I'm sure you've seen a gorgeous, strong, determined woman before. She immediately reminds me of a large feline. A Puma or Black Panther. She's friendly and chatty and garrulous. But I wouldn't advise crossing her.

It's a strange experience the Instore Performance. We get about 30 minutes. All I assume from Filthy Underneath. She chats between songs. Encourages chat  in return from the audience like a confident barmaid getting the banter going on a Saturday night. She talks about the instore experience. 'These are great! Does this look like a brothel? Have any of you been to a brothel.' Then gets derailed by a fascinating digression with a woman in the front row who had. In Belgium if all places.

I'm not sure what I think of the instore experience. I haven't been to that many. It's a taster essentially. To encourage you to come back, elsewhere and get the whole gig experience. The full band and sound and lights system. The drama and passion. We more than get her money's worth here though.

What I take away is how strong, impressive and admirable she is. She's been through a lot,( just read an interview), and she's quite happy to talk and write about it. Wears her heart on her sleeve and comes back for more. She has no fear.

Most of all she's got strong material and an incredibly, but incredibly strong voice. Her voice never wavers and she could more than hold her own in a classy Jazz venue with an entirely different set of material. She remains one to watch.

We're done anyhow. I'm off into the Newcastle night feeling I've been given  more than my money's worth. Highly memorable.

It Starts With a Birthstone - Songs of the Year

 

Lankum atThe Boiler Shop

 

I'm becoming a creature of habit. I find it suits me. I need it in order to be content come the end of the day. I'm facing an enormous set of new challenges and in order to be able to rise to them I find I need to adopt and adhere to a certain discipline,

I rise while it's still dark. Go downstairs make some tea and start a long breakfast. I like to stretch my breakfast out as long as I can see days. I put my headphones on, listen to the Tapir! album and write my review which I posted on here yesterday.

I'm slow in terms of dressing and heading out. I notice on social media it's Sam's 25th birthday. Sam is my Rock & Roll friend. Lead singer of local deadbeats and Magic Band impressionists and part time floppy doll scarecrow..Sam's great. 

I enter the shop and let him know I know it's his birthday. 'Sam, have you got Happy Birthday by Altered Images? Have you got Happy Birthday by The Beatles. It's on The White Album. Have you got Happy Birthday To You by Stevie Wonder.' 'No Bruce. I don't have any records called Happy Birthday.' 'Well Happy Bithday Can I have a tab?' He's playing Devo. Sam's always playing something good. Devo are always one of the interesting ones. Their myth of origins. Their mission statement. How right they were about so many things.

Sam gives me a cigarette. A real one. I don't smoke any more. Except one of someone else's every few days. Other people's always taste better. It's hardly the worst crime in the world. It's highly addictive you know. Not good for you. This one doesn't really work.That's not Sam's fault. It's mine.

I wander down to The Royal Station Hotel into the full fathom gale that seems to have been blowing right full on into all of our faces all  the way through January. Sometimes it's bracing if the sky is clear, other times you suspect you might be decapitated by dislodged slates, crushed by uprooted trees or collapsing walls. It's slightly unnerving frankly. Haven't we got enough to contend with. What with politicians and people in our lives. Work. Thinking the sky is about to fall on our heads too is just too much to cope with on top of all that.

Dave is behind the desk in the Fitness Centre crouching in the doorway almost  wincing because the fire alarm is bleeping at full volume which it seems to have been doing unrelentingly for days. I feel for him and comisserate. It's bad enough that they're all on minimum wage, are treated with contempt by management and this seems like it must be possibly the most boring job in the world . They're all very friendly, approachable and have excellent banter considering. I like chatting to people behind the desk.

I'm increasingly adhering to routine as a guiding principle for organising my day. A few months in the Fitness Centre has taught me a bit. The value health wise of doing the circuit. Half an hour in the roasting sauna in two shifts. The plunge pool because even though I dread it, it pays dividends. Ten lengths in the small pool. Plenty of showers.

I also hope I'll get a good chat while I'm here. It's something I expect from my couple of hours here. Today it's with a tattoed bike courier I've met before. Nice guy. His surname is Champion and his descendents he tells me, if you go back some were Hugenouts. We talk about governments, surveillance, groups and clubs and and not really wanting to be controlled by them. 

It's a great chat. Not as miserable as it sounds by any means. It's the real deal, The kind of thing that makes me know that I'm going in the right direction. Not sitting in a staff room with people around me whinging about how they hate their jobs rather than comparing notes about what they're doing in their lessons, swapping activities and aproaches or talking about what they love about their lives. What makes them happy. Best practice. I wonder if they're good teachers sometimes.

From there I go home. Call mum. Always great to chat to mum. Then off into town. To Grey Street Opticians the designer place by the Monument. I'm being exceptionally frugal this year, my belt tightened to the last notch. It's the new me. Sometimes it pays to think to the future. But I'm going to treat myself to glasses with cool frames at the end of the month when money goes into my account. 

Cool framed spectacles seems to be almost a niche consumer pursuit in itself now. Every niche interest it appears has a tribe of obsessives and it's all focussed upon to an exhaustive degree. All of the young assistants in the Grey Street Opticians today are sporting a particular pair which stops you in your tracks. I should know about this tendency to obsess on objects. Recently I've joined interest groups on West German Pottery, Liminal Spaces, Art Deco, Surrealism and share images on Social Media at every opportunity. It passes the time.

Back in the flat I put on Lankum's False Lankum to set the mood for the evening ahead of me. I've got a ticket for the gig of the month and possibly the year. Lankum, Contemporary Irish Folk band swept all before them last year. It was an interesting phenomena. Like a wave that gathered, mounted and refused to crash. It's still mounting now. 

False Lankum, the phenomenal album they released early in the year swept all before it by the end of it. It won virtually every music rundown that was going at the end of the year. Mojo, Uncut, Guardian. They pretty much all bowed before it. Why this happened exactly is slightly harder to comprehend and interpret but I guess it's something that should just be appreciated and enjoyed. Something so good capturing the zeitgeist for a change. Generally it's things that I don't understand, say nothing to me and leave me cold.

I've had a relaxed, happy day. Time to head out, I grab my hat, though I'm aware that I'll clutch the top of my head as soon as I'm outdoors to stop it being carried off by the relentless gale and head off for The Telegraph

Amy, the gorgeous barmaid and my friend and confidant for a couple of years now is holding court behind the bar at The Telegraph. She has the finest beehive in Newcastle, a cool Bet Lynch. She serves me a fruit cider, hands me a pint with ice to pour it into and I watch the first half of the match.

It's Newcastle, away at Fulham in the cup. I've been a Newcastle supporter since I was six. Living and working in Newcastle for fifteen years. All my friends from here support them. But for some reason I've become oddly emotionally detached of late. I can't explain it. Like other things I'm distrustful of at the minute. People, institutions, media constructs, I won't give you a list. I distrust it somehow. Find it manipulative.

That doesn't mean I don't want Newcastle to win. We're talking over fifty years here. When they take the lead a few minutes before half time I punch the air, like the rest of The Telegraph. It's a dubious goal. In fact it's not a goal, Bruno handballs knocking down for Longstaff to sweep the ball into the bottom corner of the net. 

The goal is given. Newcastle are the bigger side in this case so that makes sense as the best way to resolve disputes. It happens all the time in football now. It wouldn't be stretching a point too much to imply that it happens virtually every time. It's a three card trick. Like I say I'm pleased when Newcastle score and win. I'm just not willing to invest much. Football's gone down my list.

I'll invest in music though. It's time to decamp to the Boiler Shop. I do so. I get frisked at the venue as if I'm getting on a plane or visiting a detention centre with a file in a cake for one of the inmates. Boiler Shop is an odd place. One part entertainment facility but with the air of a high security prison. I'm sorry, I know things have to be organised this way but it's odd. And not relaxing frankly. Some bands know how to work the place but not everyone.

I get myself a beer. Then I'm pleased to bump into Richard, with Lars another nice and thoughtful guy I've met before. Two academics who work at Newcastle University. I'm pleased to see them. I've reconnected with Richard in the last few months and it's been great to do so. He writes music related pieces and posts them on social media and they're a joy. Erudite but written as a fan. 

We chat about music, work and life in general. One particular thing Richard mentioned at one point was about social media narratives. About attaching yourself to narratives of celebration rather than ones of anxiety. It's been a helpful idea since. There's so much anxiety around these days, fear of everything, and I'm doing everything I can to remove myself from it all. Be with family and friends from now on.

Time for Lankum. The venue is thronging. It's a sell out. More than a 1,000 people. An atmosphere and anticipation that's tangible. Lankum gather onstage and seat themselves at the front of the stage with their unweildy traditional instruments. I'm close to the front but not as close as I'd like to be. This music is intimate and it would be best if you could see the whites of the musician's eyes. The crowd are friendly but packed like pichards at the front of the stage. It would be rude to force through any further. I've been well brought up.

Anyway I get my moneys worth and more. The atmosphere is  'uncanny,' a word I've increasingly turned to to exlain how I've been feeling recently. What Lankum deal with first and foremost is atmosphere as I've said, and an awareness and understanding of what's gone before. An embrace of the past. If they're going to be written about it probably pays to take an academic slant, Collective unconsciousness and memory. Those who have lived and died. Their hopes and dreams. Passions and woes. To quote another Irishman, or at least one with Irish blood.

'With loves and hates and passions just like mine.Seems so unfair I want to cry.'

.The last thing I feel like doing is crying. It makes a change from what generally holds court in the mainstream. It's an odd phenomenon. But certainly one to be celebrated. Lankum are chatty and garrulous from the off. They're having the times of their lives as are we, The last thing they want is respectful silence.. They know their music is best if their audience responds and gradually we do. A few songs in and we get the measure of the occasion. It takes a while. We're not all used to events, celebrations of being alive like this. Chants go up in the crowd, You feel like you're giddy, swaying like you're in a football crowd and your team is three goals up and everyone's hungry and expectant of more. You're aware of the undertow, the wave you're being carried on. You don't want this moment to end.

But for me it needs to. My spirit is more than willing but my flesh is weakening. My legs are aching, my early morning exercise regime coming back to me as it's tending to do these days. I make my way home. But I've had a ball. The gig of the year in January. I didn't experience it all perhaps. But it was fantastic. Lankum have set the bar incredibly high from the off. I won't forget this.