Washington D.C's Bottled Up's latest Grand Bizzare is an odd proposition indeed. A full on dystopian synth vision with its roots in the British New Wave of the early Eighties welded to the visionary overblown concepts of the likes of Bowie, Genesis, The Who or The Tubes.
The whole exercise has an immaculately smooth pristine sound. All slightly strange in 2022 but impressive nevertheless. A jerky paranoid record but a very realised one.
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