A terrific new record from a few weeks back that I've neglected to write about until now. Hey, there are a lot of really terrific new records coming out just now. This one particularly takes my fancy because its authors, Munich veterans The Notwist were particular favourites of one of my best friends, Matt, who died in very upsetting and vastly premature circumstances a couple of years back.
So while listening to The Notwist, and other particular musical favourites of Matt will always fill my chest with pain to some degree, I should really get over myself. This album,Vertigo Days, their umpteenth, (they've been putting out records for almost thirty years now), before I met Matt actually, is something that should be enjoyed and experienced. Because it's a wonderful record.
Nominally the start off point for The Notwist is certainly Krautrock. There are definitely echoes of Kraftwerk in particular here, the mysterious electronic chimes of machinery and motion. You're certainly in Europe here and Vertigo Days makes me realise how much I miss it. British musicians might be capable of imitating this but they couldn't ever make it. It has Mittleuropaisch DNA.
So Kraftwerk is here but Notwist deserve to be considered entirely on their own terms. They've been herelong enough. They're certainly good enough. They have the distinctive, specific genes of a great European band. Matt also loved so many of these. The Nits, Can, Deus, 22 Pisterpekko, Bettie Serveert. So many more.
There's a deeply nuanced sense of regret here, again something that most artists from other parts of the world simply cannot do and will never quite understand. There are some notable exceptions. Bowie, Iggy, Eno. An awareness of the Twentieth Century and the way the events of some of the terrible tragedies of those years drained the continent once and for all and somehow it will never, ever quite be the same.
Vertigo Days is by no means a difficult record to listen to though. In fact it's a very easy one. Matt would have loved it. Cheers Matt!
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